1. Scarcely ___ the panel ___ the full ramifications of the ruling when fresh evidence surfaced.
2. Only after the manuscript ___ peer review ___ the author concede that substantial revisions were warranted.
3. Had it not been for the subsidy, the start‑up ___ long ago and the talent it attracted ___ dispersed worldwide.
4. No sooner ___ the data ___ inconsistent than the research team halted the trial.
5. Not until the summit talks collapsed ___ investors fully ___ the fragility of the accord.
6. Little ___ by the spokesperson’s assurances, the audience ___ the credibility of the entire report.
7. Were the legislation to pass, freelancers ___ liable for taxes that hitherto ___ their clients’ responsibility.
8. Hardly ___ the verdict ___ than a chorus of dissent erupted across social media.
9. Select the sentence exhibiting correct subject‑verb concord and appropriate register.
10. Choose the option that best paraphrases the underlined segment without altering the meaning:“The proposal was tantamount to a tacit admission of guilt.”
11. The columnist’s review was so ___ and ___ that even the author conceded its critical acuity.Until next month, all existing procedures ___ in place.
12. The witness recounted the events with remarkable ___, leaving the jury in no doubt as to her credibility.
13. The author of the passage would most likely agree that cultural hybrids are acceptable when…

In contemporary debates on cultural appropriation, the boundary between homage and exploitation is notoriously porous. While critics decry the commodification of marginalised aesthetics, proponents argue that cultural hybridity fuels artistic ingenuity.

Yet this dialectic often overlooks the asymmetry of power — an omission that, according to sociologist Maya Fernández, forecloses any equitable resolution. Fernández posits that the yardstick for ethical borrowing should hinge not on intent but on impact, urging creators to account for both the material and symbolic capital garnered from their adaptations.

Her essay further interrogates the neoliberal premise that the market will organically reward authenticity; she counters that, in practice, gatekeepers frequently valorise palatable pastiche over genuine dissent.

Ultimately, the author advocates a paradigm in which collaborative authorship supplants unilateral appropriation, thereby recalibrating the distribution of cultural dividends.

14. The word “forecloses” in line 3 is closest in meaning to…

In contemporary debates on cultural appropriation, the boundary between homage and exploitation is notoriously porous. While critics decry the commodification of marginalised aesthetics, proponents argue that cultural hybridity fuels artistic ingenuity.

Yet this dialectic often overlooks the asymmetry of power — an omission that, according to sociologist Maya Fernández, forecloses any equitable resolution. Fernández posits that the yardstick for ethical borrowing should hinge not on intent but on impact, urging creators to account for both the material and symbolic capital garnered from their adaptations.

Her essay further interrogates the neoliberal premise that the market will organically reward authenticity; she counters that, in practice, gatekeepers frequently valorise palatable pastiche over genuine dissent.

Ultimately, the author advocates a paradigm in which collaborative authorship supplants unilateral appropriation, thereby recalibrating the distribution of cultural dividends.

15. Which of the following best describes Fernández’s stance toward neoliberal market logic?

In contemporary debates on cultural appropriation, the boundary between homage and exploitation is notoriously porous. While critics decry the commodification of marginalised aesthetics, proponents argue that cultural hybridity fuels artistic ingenuity.

Yet this dialectic often overlooks the asymmetry of power — an omission that, according to sociologist Maya Fernández, forecloses any equitable resolution. Fernández posits that the yardstick for ethical borrowing should hinge not on intent but on impact, urging creators to account for both the material and symbolic capital garnered from their adaptations.

Her essay further interrogates the neoliberal premise that the market will organically reward authenticity; she counters that, in practice, gatekeepers frequently valorise palatable pastiche over genuine dissent.

Ultimately, the author advocates a paradigm in which collaborative authorship supplants unilateral appropriation, thereby recalibrating the distribution of cultural dividends.

16. In the passage, “gatekeepers” are portrayed as those who…

In contemporary debates on cultural appropriation, the boundary between homage and exploitation is notoriously porous. While critics decry the commodification of marginalised aesthetics, proponents argue that cultural hybridity fuels artistic ingenuity.

Yet this dialectic often overlooks the asymmetry of power — an omission that, according to sociologist Maya Fernández, forecloses any equitable resolution. Fernández posits that the yardstick for ethical borrowing should hinge not on intent but on impact, urging creators to account for both the material and symbolic capital garnered from their adaptations.

Her essay further interrogates the neoliberal premise that the market will organically reward authenticity; she counters that, in practice, gatekeepers frequently valorise palatable pastiche over genuine dissent.

Ultimately, the author advocates a paradigm in which collaborative authorship supplants unilateral appropriation, thereby recalibrating the distribution of cultural dividends.

17. The primary purpose of the passage is to…

In contemporary debates on cultural appropriation, the boundary between homage and exploitation is notoriously porous. While critics decry the commodification of marginalised aesthetics, proponents argue that cultural hybridity fuels artistic ingenuity.

Yet this dialectic often overlooks the asymmetry of power — an omission that, according to sociologist Maya Fernández, forecloses any equitable resolution. Fernández posits that the yardstick for ethical borrowing should hinge not on intent but on impact, urging creators to account for both the material and symbolic capital garnered from their adaptations.

Her essay further interrogates the neoliberal premise that the market will organically reward authenticity; she counters that, in practice, gatekeepers frequently valorise palatable pastiche over genuine dissent.

Ultimately, the author advocates a paradigm in which collaborative authorship supplants unilateral appropriation, thereby recalibrating the distribution of cultural dividends.

18. According to Analyst 1, the most immediate risk of the sanctions is…
19. Analyst 2 suggests that derivative markets might…
20. Both analysts agree that an effective hedging strategy should be…
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